The first time, Jan 2018, it was a tame affair. A few
enthusiastic families got together, rustled up the ingredients, some firewood
and a Ponga-Panai and we got going with a small group in attendance.
Year 2, Jan 2019, we were better organised. We made an elaborate
kolam, had sugarcanes, a PA system and homemade vadais from Freeda & Raja.
This year, on 18 Jan 2020, the organizing team went Pro !!
We had the works!!
2 beautifully decorated Ponga Panais lined up on the cricket
pitch.
5 elaborate kolams greeting all visitors to Sobha Palladian.
Ample firewood and a huge stock of thick juicy sugarcanes.
Lots of flowers and decorations and lots of chairs for folks
to sit down and relax.
An evening full of music and entertainment.
A senior citizen guest speaker – Sri Venkataraman
Bought out vadais and special homemade Venn Pongal from
Nirmala
And a surprise event, URI ADI - a wonderful initiative by
Krishna Kumar.
Uri Adi = Hit the JackPot
And Hang on!!
We had the men folks making their debut in dancing – Puliattam!!
And they were awesome.
And we also discovered that Raja dances as good as his
better half, Freeda !!!
And we had a whopping 120 plus
turnout.
From 3 PM onwards, the Jovial Grounds (aka. CA Site) started
bustling with activity.
And the eager and enthusiastic
Palladiian folks turned out in Flaming orange Sarees and spotless white
veshtis.
And the children in their elaborate dance ensemble.
And the children in their elaborate dance ensemble.
And I would not be surprised if
next year these enthusiastic folks rustle up a few bulls for a Jallikattu at
our grounds!!!
As the folks came, they were
greeted by a set of 5 beautiful Kolams and the entrance to Jovial Grounds
decorated with the traditional banana fronds and Poo-Malai (string of flowers)
Kolam is generally drawn in front of all
houses in villages. Generally, it is of small size. However, on the day of
Pongal, the streets of the villages are decorated with larger ones. The squarish
kolam symbolizes / depicts life being intertwined with a lot of smaller
problems. But there is always a solution and a way to come out of challenges.
The circular kolam resembles a taambaalam (large plate) which
holds different offerings to god in the form of fruits & flowers.
On the 1st day of Pongal, the sun
god moves from Dakshinayanam (south) to Utrayanam (north) on his chariot. The Chariot
kolam depicts this travel of the sun god. Hence that day’s kolam is called Uttrayanam
Punya kalam.
The overflowing pot is the classic
depiction of Pongal. Sugarcane and Turmeric adorn the two sides of this pot.

Preparing the Ponga Panai..
It’s a tradition to have a new pot, newly harvested rice and
jaggery from newly harvested sugarcane for the Pongal. The design used as a
decoration on the pot as this is dedicated to sun god
First pour fresh milk into the pot and let it boil and
overflow the pot.
This signifies the welcoming of a new year overflowing with
riches and prosperity!
And then all the folks take turns to add all the ingredients
and lend a hand to cook and stir the pot.
And finally, when the Pongal is ready to be served piping
hot, its absolutely lip smacking and finger licking. The organizers made sure we
lick our fingers for they did not give us a spoon!
And then the evening event
started.
So, Saran welcomed the assembled gathering in chaste Tamil
and picked up a few unsuspecting victims and asked them to translate a few
words in Tamil.
Then our senior citizen Mr Venkataraman gave a wonderful in-depth
discourse on the meaning & the spirit of Pongal and the history and tradition
behind this event..
Followed by Anil Bajpai who shared a few points on Makara
Sankranti as well.
Thai Pongal is a
multi-day Tamil harvest festival of South India, particularly in
the Tamil community. It is
observed at the start of the month Thai according to Tamil solar
calendar, and this is typically around January 14.
It is dedicated to the Hindu sun god, the Surya, and
corresponds to Makara Sankranthi, the harvest festival under many regional
names celebrated throughout India.
The four days of the Pongal festival are called Bhogi
Pongal, Surya/Perum Pongal, Maattu Pongal and Kanum Pongal.
Today we present Thai Pongal celebrations through
traditional folk dances
The dances are
inspired by the elements of nature - Earth, Water, Fire, Wind, and Space, which
is the foundation for our sustenance.
Karakattam or
karakam is an ancient folk dance of Tamil Nadu performed in praise of
the rain goddess Mariamman. The
performers balance a pot on their head. Traditionally, this dance is
categorized into two types: Aatta Karakam symbolizes joy and happiness. It
is mainly performed as entertainment. Sakthi Karakam is performed only in
temples as a spiritual offering. Karakkatam invokes rain through a
classical Tamil dance. The most common song employs Amrithavarshini Ragam.
Tamils believed that mother nature gives bountiful rain and protects
the harvest.
This is a dance
inspired by Water!
Oyilattam meaning
dance of grace is a folk dance with origins in the Madurai region
of Tamil Nadu. It was traditionally a dance where a few men would stand in
a row perform rhythmic steps to the musical accompaniment. Typically, the musical accompaniment is
the Thavil (drum)and the performers have coloured handkerchiefs tied
to their fingers and wear ankle bells.
Oyilattam is mainly
performed at village festivals and themed based on great epics like Ramayana,
Mahabharata and lord Muruga's history.
This is a dance
inspired by Wind!
And the ladies glided in, dancing in rhythm to the lively
beat of this song.
Kummi dance is an engaging folk dance performed by the
villagers and tribal community of Tamil Nadu. The dance revolves around the
daily lives of villagers. The origin of Kummi dance is dated back to the
prehistoric times when no traces of any musical instrument were found. Since
the dance has originated without accompaniment of any musical beats, the
dancers clap their hands to keep time.
Performed usually by the womenfolk, Kummi dance is enacted in circular
movement. The performers are essentially
agriculture centric and thrive on occupations like farming, harvest etc. which
is reflected in the poem being sung and in the dance performances.
Here we present to
you Kummi and this dance is inspired by Space
5. Thappatam : And
this is what Mihika said about Thoppattam.
Thappatam / Parai
Attam is a special type of dance in Tamil culture in which folks
beat parai and dance to its rhythm.
Parai or Thappu is one of the oldest drums used in
India, especially in the South Indian state of Tamil Nadu. It
consists of a circular wooden frame with one end closed with cow skin membrane
and the other end open. Thappu is played with two sticks, one being larger
and thinner than the other. It is performed in dances, funerals, temple
festivals and sport events. In ancient days, this instrument was used as a
communication mechanism to convey messages to people and alert against danger.
This is a dance inspired by Fire!
This is a dance inspired by Fire!
6. Puliyatam : And finally, as the men folks tightened their
veshti mudichu (waist knot), Suhana got on
air with an explanation on Puliattam the Tiger dance !!
And then she let loose a wild number.
And that galvanised
all the Pulis into action!!
Puliyattam (means
Tiger Dance) is an old folk-art dance of Tamil country. A highly exuberant and
cultural festival, this dance form usually comprises a troupe of 6 performers
aping the movements of the majestic, predatory tigers. Their bodies are painted
by the painstaking efforts of local artists in vibrant yellow and black to
resemble an exact replica of a tiger. The paintings include the ferocious looking
fangs and convincing headgear replete with ears, paws with claws and a long
tail that conjures an accurate picture of the savage beast’s graceful
movements. The thunderous roars of drums
beating wildly along with several local instruments reproduce the snarls of the
regal predators and complete the picture.
Apart from the tiger, the dancers are often adorned in the beautiful
spots of a leopard or the eerie dark shades of a black panther.
And while people converged around the Pongal table,
Uri Adi got started. And the children guided and lustily cheered the blindfolded participant on their way to the suspended Uri and make a strike.
Uri Adi got started. And the children guided and lustily cheered the blindfolded participant on their way to the suspended Uri and make a strike.
Only one lucky Som got to crack the suspended pot and get
away with the bounty!!
And finally the Palladian Music Club got into action with
some nice songs!.
And On behalf of the Sobha Palladian community, my sincere
thanks to all the organisers, the contributors, the participants and the
attendees for making this event a very memorable occasion.
To Sri Venkataraman his wife Mrs. Rajalakshmi for gracing the
occasion. Mrs Rajalakshmi inaugurated the Pongal making ceremony by lighting
the fire under the first Ponga Panai.
To Nivedita and her famous dance troupe for putting up a
fabulous performance. And to the brave Pulis (Tigers) – you guys are just
awesome!!!
To KK & Nirmala, Saran & Leela, Raja & Freeda, Mohana
& her entire Family, Venki & Ahila, Jovial, Vikas, and Jayashree &
Sukanya.
And a special thanks to Gayatri for keeping a strict eye and
monitoring the garbage disposal mechanism.
And to the many other folks who pitched in
enthusiastically to make this event a wonderful evening for all of us.
And my personal thanks to Nivedita for providing me with subject matter expertise to write this blog and to Manoj for his brilliant photos.
Manoj, Tussi Gr8 Ho !!!
And my personal thanks to Nivedita for providing me with subject matter expertise to write this blog and to Manoj for his brilliant photos.
Manoj, Tussi Gr8 Ho !!!
Thank you, folks, once again for your encouragement & wonderful
support!
Krish..
Very nice mr.krishnan
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